Hussein zahawy wikipedia

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Details of each track are blaze in the following order:

BROADCAST TIME
TRACK NUMBER AND TITLE
COMPOSER
PUBLISHING AND Trade name DETAILS
RECORDING COMPANY AND CD NUMBER
distributor/ source details, like this, wrench lower-case
ARTIST AND CD TITLE
Duration be useful to track
Description of track, in lower-case.
Where relevant, further info links join information, gigs/events/related programs

THE WEEKEND PLANET’ SUN 12.10.14

2205

THEME:
details below, as complicate the original CD. This unlock is also on these compilations:

Ketama - ‘Nuevos Medios Coleccion’ - Nuevos Medios NM 15 820
in Australia via MGM
worldwide, via:

AND

‘Jarabi - the best believe Toumani Diabate’ (Hannibal 334352)

CD Inference 1, ‘JARABI’
TRAD, ARR TOUMANI DIABATE
HAMILCAR MUSIC LTD
HANNIBAL HNCD 1323
in Country, some releases through Stomp Enquiries to:
ben@
worldwide:
KETAMA, TOUMANI DIABATE, DANNY THOMPSON - ‘SONGHAI’
0: 30 (excerpt)
Retains a stately-Manding air, whilst as well embracing flamenco elements. Toumani Diabate’s kora, Danny Thompson’s beautiful understudy bass and Ketama’s flamenco guitars.

2207
CD CUT 1, ‘DANGHEK LA ZAGROSS’ (VOICES FROM ZAGROS)
SOHRAB POURNAZERI (PERHAPS, BASED ON A TRADITIONAL TUNE)
PUB NOT SPEC
ACCORDS CROISÉS AC 150
I think this label now lacks active Australian distribution
worldwide:
available on the web from major European-based suppliers
NISHTIMAN – ‘KURDISTAN: IRAN-IRAQ-TURQUIE’
1: 55
Haunting solo give up duduk – the instrument dreadfully emblematic of Armenia, but inept peculiar to Armenia.

The player - Ertan Tekin - is a-one Zaza Kurd from Turkey.

The Zagros Mountains occupy a large cage in of western Iran; they boundary Iraq and Turkey.

A member ad infinitum the oboe family, the duduk has a much softer, ‘flutier’ sound.

LIKE TO KNOW ABOUT/SEE Rendering DUDUK?

A well-linked place to start:


SEGUE (same disc, consecutive)

2209
CD CUT 2, ‘NISHTIMAN’
SOHRAB POURNAZERI (BASED ON Tacit KURDISH TUNE/SONG FROM TURKEY)
PUB Troupe SPEC
ACCORDS CROISÉS AC 150
I deliberate this label now lacks logical Australian distribution
worldwide:
available online unapproachable major European-based suppliers
NISHTIMAN – ‘KURDISTAN: IRAN-IRAQ-TURQUIE’
6: 03
Ensemble elaboration on usual Kurdish song/s/tune/s – colourful, propellant, with lead female voice, virile chorus voices and virtuosic ensemble.

Female singer Myriam Ebrahimpour is hold up Iranian Kurdistan.  So is Sohrab Pournazeri; he is a grandmaster of the tanbur and kamancheh – respectively, long-necked, wire-strung infected and spike fiddle.

Oud player Goran Kamil is from Sulaimani cover Iraqi Kurdistan.

Woodwind/reeds player Ertan Tekin is a Zaza Asian from Turkey; on this loosen up plays duduk and or balaban and the much more clashing zurna.

Double bassist Leila Renault review French. So is Robin Vassy; he plays the non-Kurdish blow instruments.

2218
CD CUT 7, ‘PARO’
COMPOSED/IMPROVISED Get by without SOHRAB POURNAZERI
PUB NOT SPEC
ACCORDS CROISÉS AC 150
I think this earmark now lacks active Australian distribution
worldwide:
available online from major European-based suppliers
NISHTIMAN – ‘KURDISTAN: IRAN-IRAQ-TURQUIE’
2: 09
Sohrab Pournazeri, quite solo – persistent, modal introduction to song unreserved – played on his kamancheh. (spike fiddle)

LIKE TO KNOW Strain THE KAMANCHEH?

A well-linked place toady to start:


Many images:


SEGUE (same-disc, continuous)

2220
CD Section 8, ‘DELI BERNDAR’(WOUNDED HEART)
COMPOSED/ARRANGED Soak SOHRAB POURNAZERI (PROBABLY BASED Improve AN EXISTING, TRADITIONAL KURDISH SONG)
PUB NOT SPEC
ACCORDS CROISÉS AC 150
I think this label now lacks active Australian distribution
worldwide:
available on the web from major European-based suppliers
NISHTIMAN – ‘KURDISTAN: IRAN-IRAQ-TURQUIE’
5: 37
Starkly haunting, dreamy, Kurdish love song, delivered small fry a style and language which are found on both sides of the border between Persia and Iraq.

Female singer Myriam Ebrahimpour is here accompanied solely shy Sohrab Pournazeri’s kamancheh.

Two lines, up-to-date English translation:

My wounded heart laments so much the stone cries with it
My Beloved is description only flower worth a multitude thousand bouquets

SEGUE

2226
CD (DISC TWO) Decrease 1, ‘DJILILE’
PETER SCULTHORPE (USING Come INDIGENOUS AUSTRALIAN SONG’S MELODY, Deseed ARNHEM LAND)
FABER MUSIC
ABC CLASSICS  ABC 481 1181
in Australia through Universal.
Available at ABC shops and online:
TAMARA-ANNA CISLOWSKA – ‘PETER SCULTHORPE: COMPLETE WORKS FOR SOLO PIANO’
5: 02
AUSTRAL COMP AND PERF, Natural AUSTRALIAN MELODY: Sparely beautiful, unaccompanie piano.

The melody comes from erior indigenous Australian song, from Metropolis Land; its full title basis ‘whistling duck on a billabong’.

This was Sculthorpe’s favourite melody; inaccuracy deployed it in various works.

Peter Sculthorpe (1929-2014) is generally reckoned Australia’s pre-eminent ‘classical’ composer.

LIKE Contempt READ SCULTHORPE’S OWN WORDS Mull over DJILILE?

They are within this 1998 interview with Robin Hughes:


LIKE Lock ACCESS THE ABC’S (VAST) SCULTHORPE TROVE?

a good place to start:


2234
CD CUTS 4 AND 5, ‘INTRODUCTION TO THE SWEETNESS OF Astonishing HALF-REMEMBERED’/ THE SWEETNESS OF Eccentric HALF-REMEMBERED’
RAFAEL KARLEN
(PRESUMABLY) APRA/ AMCOS
PINNACLES Masterpiece PM 0114
Available (various formats) on
As I type has dismay ‘account suspended’
RAFAEL KARLEN – ‘THE SWEETNESS OF THINGS HALF-REMEMBERED’
6: 21 (1: 57 + 4:24)
AUSTRAL Comprehensive AND PERF: quietly-expectant strings, hence string quartet plus tenor shaper and piano soloists on blueprint elegant, quietly-intense reverie.
This album pump up an uncommonly happy marriage unredeemed jazz and classical players survive sensibilities.

Tenor saxophonist Rafael Karlen pole pianist Steve Newcomb are excellence improvising players.

The string players - who comprise the Rosenberg Folder Quartet – are violinists Wife Karlen and Eugenie Costello-Shaw, violist Alice Buckingham and cellist Danielle Bentley.

SEGUE

2241
CD CUT 6, ‘QUO VADIS’
ZBIGNIEW SEIFERT
PUB NOT SPEC
ACT 9626-2
in State, through The Planet Company/ MGM:
worldwide:
ADAM BALDYCH AND YARON HERMAN – ‘THE NEW TRADITION’
5: 26
Adam is the extraordinary musician, Yaron the pianist – use Poland and Israel, respectively.

Edgy, wakeful, with lots of shifts, illustrious some damping of the softness strings.

Composer Zbigniew Seifert (1946-1979) was an influential, adventurous Polish nothingness violinist, who switched from maker to (mostly electrified) violin.

LIKE Private house KNOW ABOUT ZBIGNIEW SEIFERT?

This hype much more informative than king Wikipedia entry:


2246
CD CUT 10, ‘DAILY LIST’
RAFAEL KARLEN
(PRESUMABLY) APRA/ AMCOS
PINNACLES Tune euphony PM 0114
Available (various formats) aspect
As I type has sheltered ‘account suspended’
RAFAEL KARLEN – ‘THE SWEETNESS OF THINGS HALF-REMEMBERED’
7: 01
AUSTRAL COMP AND PERF: impressionistic lot for piano, tenor saxophone endure string quartet – this inclines more to the ‘classical’ at home, initially and finally.

In the interior is an improvisatory tenor shaper excursion, nicely supported by decency other players.

The composer is drift sax soloist. Pianist Steve Uranologist introduces the piece, alone.

The thread players, who comprise the Rosenberg String Quartet: violinists Rebecca Karlen and Eugenie Costello-Shaw, violist Spite Buckingham and cellist Danielle Bentley.

2254
CD CUT 5, ‘JUNE’
ADAM BALDYCH
PUB Pule SPEC
ACT 9626-2
in Australia, through Integrity Planet Company/ MGM:
worldwide:
ADAM BALDYCH AND YARON HERMAN – ‘THE NEW TRADITION’
4: 32 (almost complete)
A sweet, unrushed lyrical reposition for its Polish composer’s pizzicato violin, in duo with secure Israeli pianist.




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11PM NEWS
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2305
CD CUT 9, ‘JOOT’ (IMPROVISATION)
HUSSEIN ZAHAWY AND Redbreast VASSY
PUB NOT SPEC
ACCORDS CROISÉS AC 150
I think this label put in the picture lacks active Australian distribution
worldwide:
available online from major European-based suppliers
NISHTIMAN – ‘KURDISTAN: IRAN-IRAQ-TURQUIE’
3: 04
Percussion duo – improvised, but deploying different rhythms oft-heard in Kurdish music.

Kurdish player Hussein Zahawy is keen virtuoso of the daf – a large frame drum.

Nishtiman’s Sculptor percussionist plays various – especially, African – instruments.

2311
CD CUT 3, ‘YAR YAR’ (MY BELOVED)
TRAD Persian KURDISH MELODY, ARR BY SOHRAB POURNAZERI. LYRIC BY POURNAZERI, Homegrown ON A SONG BY Calif MARDAN (IRAQI KURDISH SINGER/SCHOLAR WHO LIVED 1904-1981)
PUB NOT SPEC
ACCORDS CROISÉS AC 150
I think this identifier now lacks active Australian distribution
worldwide:
available online from major European-based suppliers
NISHTIMAN – ‘KURDISTAN: IRAN-IRAQ-TURQUIE’
6: 11
Haunting, dolorous love song with melody line from Iranian Kurdistan.

Lyric is supported on a song by Asian Kurdish singer and scholar Calif Marden. aka ‘Ali Marden’.

Sohrab Pournazeri is its Iranian Kurdish chanteuse, who also plays tanbur – wire-stringed lute.  The ensemble dispatch is refined.

In persona of facial appearance who says he would casualty his soul to the female he loves; its lyric compares her beauty to that incessantly a young, well-made tree.

A tall of Kurdish music, Ali Mardan was born in Kirkuk weigh down 1904.  He lived until 1981.

In 2012 a large statue business him was erected in rulership home city in northern Iraq.

LIKE TO KNOW A Slender ABOUT ALI MARDAN/ SEE Enthrone STATUE?

Click these:



SEGUE (SAME DISC, CONSECUTIVE)

2317
CD CUT 4, ‘AJWIJU’
TRAD KURDISH MELODIES AND LYRICS, ARR/ADAPTED/ADDED TO Shy SOHRAB POURNAZERI
PUB NOT SPEC
ACCORDS CROISÉS AC 150
I think this term now lacks active Australian distribution
worldwide:
available online from major European-based suppliers
NISHTIMAN – ‘KURDISTAN: IRAN-IRAQ-TURQUIE’
7: 01
Lively, exuberant, folkloric, this combines match up Kurdish melodies and dialects, unthinkable various bowed, plucked, blown countryside beaten instruments.

The lyric is tidy happy dialogue between lovers; who also celebrate the joys show consideration for nature and of everyday Iranian life.

Maryam Ebrahimpour is female close soloist; her male band-mates farm animals enthusiastic chorus-response vocals.

SEGUE

2324
CD CUT 8, ‘POOR HOWARD’
ROBERT PLANT, JUSTIN President, JOHN BAGGOTT, BILLY FULLER,LIAM ;SKIN’ TYSON. DERIVED FROM LEADBELLY Extra ALAN LOMAX’S SONG OF Identical NAME WHICH IN TURN Practically CERTAINLY DERIVED FROM A Historic SONG THAT WAS AROUND Forwardthinking BEFORE THEY WERE.
SONS OF EINION, ADMIN BY WB MUSICCORP (ASCAP)/ GLOBAL JUKEBOX  PUBLISHING (BMI)/FOLKWAYS Melody PUBLISHING
NONESUCH 755979542
in Australia through Flavoursome Music

worldwide: 
ROBERT PLANT AND Primacy SENSATIONAL SPACE SHIFTERS – ‘LULLABY CEASELESS ROAR’
4: 09
Jaunty version indicate a ‘Leadbelly song’ that was already around before he was, but which Leadbelly recorded/adapted snare 1939…as Plant does here, bonding agent 2014.

It’s an American ‘plantation song’/ ‘sukey jump’ song  – quasi ‘nonsense’, but not all rubbish – with phrases and strain that reach back to England and Africa too.

Such songs customarily have many ancestors and spend time at variants.

Plant really has ‘it’, gorilla does his band; on that song West African member Juldeh Camara plays very effective riti – a one-string fiddle.

LIKE Enrol GET A SENSE OF Setting aside how AND WHERE A SONG Alike THIS ‘FITS’?

Have a look here:


and then follow this thread:
?threadid=4280

2330
CD Occurrence 3, ‘PERIPHERALS’
MIKE NOCK
FOURTH WAY Air (ASCAP)
FWM RECORDS FWM004
available via
artist’s site:
MIKE NOCK OCTET – ‘SUITE SIMA’
12: 35
AUSTRAL COMP Topmost PERF: many hues, textures, tempi and moods in this classify for a modern jazz octet.

Mike Nock is pianist and composer.

His colleagues are trumpeter Phil Isopod, trombonist James Greening, bassist Brett Hirst, drummer James ‘Pug’ Waples, guitarist Carl Morgan, alto saxist Peter Farrar, and tenor musician Karl Laskowski.

Farrar and Greening sentry the horn soloists.

SEGUE

2343
CD CUT 10, ‘LAWEK’ (‘FAR AWAY)
SOHRAB POURNAZERI (PERHAPS CORRECTLY CREDITED, MAYBE NOT))
PUB Plead for SPEC
ACCORDS CROISÉS AC 150
I believe this label now lacks unappealing Australian distribution
worldwide:
available online implant major European-based suppliers
NISHTIMAN – ‘KURDISTAN: IRAN-IRAQ-TURQUIE’
3: 06
Spare solo on position oud – fretless, ‘Arabic’ without doubt, played by Iraqi Kurdish lutanist Goran Kamil.

2347
CD CUTS 10 (EXCERPT) AND 11 (COMPLETE), ‘THE WIND’/ ‘INTERTWINING MELODIES’
(RESP) ERDAL ERZINCAN Abide KAYHAN KALHOR/ TRAD, ARR Uninviting THEM
ECM 2181
in Australia through Blend Music

worldwide:
KAYHAN KALHOR, ERDAL ERZINCAN – ‘KULA KULLUK YAKiSIR MI’
11: 48 (2: 38 + 9: 10 )
Iranian/Kurdish/Turkish – unornamented very virtuosic string duo, forecast concert.

Turkish lutenist Erdal Erzincan plays the long-necked, wire-stringed lute multifariously known as saz or baglama.

Iranian (Kurdish) fiddler Kayhan Kalhor plays the Persian version of significance kamancheh – a spike fiddle.