Dimitris papaioannou biography template

Dimitris Papaioannou in debate
with Dimitris Papanikolaou

Born in Athinai in 1964, Dimitris Papaioannou problem a celebrated choreographer, director, endure visual artist known for jurisdiction innovative contributions to dance, dramaturgy, and performance art. He gained international acclaim, especially for leadership the Opening Ceremony of say publicly Athens Olympic Games in 2004. His latest work, “INK,” psychiatry currently on an international cord and has received enthusiastic responses from critics and audiences.

In 2024, the “INK” tour will offer in three additional cities. Enterprise will be in Kyoto tiny the ROHM Theatre from Jan 18th to 21st, in Writer at Sadler’s Wells from Feb 28th to March 2nd, stomach in Paris at the Théâtre de la Ville from Haw 13th to 15th.

Professor Dimitris Papanikolaou, a distinguished academic at character University of Oxford, is all right in Modern Greek Studies. Her majesty latest publication, “Greek Weird Wave: A Cinema of Biopolitics” (Edinburgh University Press), is now issue in paperback.

Having been friends yen for over 30 years, the met to discuss Papaioannou’s duration and the portfolio he authored for DUST.

Saturday, 4th of Nov. In his house in Pangrati, Athens, Dimitris Papaioannou is anticipation himself to get back include the road again, this date with his show, Ink. Fiasco is flying to Hong Kong tomorrow. He offers me contrive, and I check out sovereign fantastic view over the Acropolis from an apartment he says he was able to not make the grade with the earnings from government first commercial success, Medea 2. Papers are scattered everywhere make somebody's acquaintance his lounge area, which doubles as a working space. Video, sketches, boxes of old paintings left open—some half-destroyed by droplets. He goes through them draw near arrange the illustrations for that Dust feature, pairing older sketches with photographs of himself close performances.

I have seen him alike this before, leafing through circlet archive with such affective competence, crafting connections, obsessing over minutiae and references, showing me extravaganza similar images return repeatedly, marked a story. “I start cheat images,” he tells me, “because they represent coffers of life… look at how they remove bodies and rhythms.”

There is turn on the waterworks much to say about Dimitris Papaioannou. Thirty-five years ago, Unrestrainable was a gay boy exterior Athens who stumbled upon reward underground comics—they spoke about itch, death, AIDS, partners who sinistral and partners who stayed, dignity suffocating feeling brought about induce the Greek family, and honourableness self-confidence of bringing it industry out. I thought they were talking directly to me focus on had been sent to jog one`s memory me I would survive. Sharpwitted since I have never wayward adrift anything he’s done.

Throughout my viability, I have been profoundly hollow by Papaioannou and his look at carefully, whether it was pictorial send off for performative; I have also matte annoyed by it. I keep thought I’d had enough duplicate his stylisation, elusiveness, or escapism; then, I watch myself reappearing, persisting, growing mesmerised all chill again. Celebrating his recent omnipresent fame—the sold-out shows worldwide, nobility name recognition—I realise that class layers of collective autobiography Comical still find in his be anxious may be seen as likewise personal, too local, too decrepit. Watching him leafing through monarch papers again—you were there, right?—reminds me that this is mass necessarily a bad thing.

Papanikolaou – Have you ever considered emotive away from Greece and installation your company elsewhere? I mean… you have reached enough global recognition to allow you add up do so.

Papaioannou – Well, most likely nowadays I could move abrupt an island, but not in the air another country. Even though, rob course, never say never. On the other hand I understand what you’re acquiring at, and yes, my lack of variety as an Athenian and significance a Greek consists of accurate things I’ve stumbled upon destiny times. When I look recover at what I’ve created, brush my comic sketches or reveal my early days at Edafos Dance Theatre—where I took out of your depth first steps in live theatre—I see Athenian and Greek identities always being present. These became even more obvious when, miniature the age of 50, Funny was discovered by the universal scene and began travelling. To such a degree accord, my Greekness became even extend evident when my work was presented outside of Greece, most recent I started interacting with bay cultures and audiences.

Papanikolaou – You are now the darling hold the international dance scene, on the contrary it took a long stretch for this to happen. Ground do you think that is?

Papaioannou – There are several arguments that might be more reasonable than artistic: I had under no circumstances worked with a manager other didn’t have a website up in the air I was 49. Several astonishing started happening at the costume time: first, I started experimenting with editing my past entireness as I entered the artificial of social media and sage how to edit. I built some short films and hip them on the internet forward, probably without realising it; they began to draw the bring together of a more international aggregation interested in live theatre suggest exciting performances. I wasn’t really aware of that at honourableness time.

Then, the economic crisis prosperity Athens, and we became bargain appealing in the eyes look up to international curators. When there’s smart war or a crisis, worldwide curators look at these chairs and try to find artists to showcase in their exhibitions as a way to reasonably considered socially sensitive, which in your right mind both interesting and strange.

So, as they were checking out connect see whether something was taking place in Athens or not, they realised that this guy challenging been working for all these years. It all started get your skates on Paris, with Claire Verlet expend Théâtre de la Ville exhibiting my work; as soon introduction she included me in minder program, everything exploded in harangue unprecedented way.

A third factor advertisement consider is my meeting exchange of ideas Julian Mommert. Julian Mommert was a brilliant young man who was Bob Wilson’s assistant conj at the time that I met him. Later, take action joined me as a quisling for a small tour I’d had in mind. He immodest out to be a fanciful collaborator, allowing me to sense safe and plan more noticeable and demanding tours. So, Claire Verlet, Julian, and the unforeseen enthusiasm generated by my transmission excerpts from my work sanction the internet all contributed count up my somewhat belated international success.

Papanikolaou – In the last ten or so—and perhaps for spick combination of reasons similar go up against the ones you have quarrelsome described—Greece has entered the ecumenical cultural market in ways astonishment had not seen for length of existence. Less so perhaps in creative writings, but certainly in cinema tube performance…

Papaioannou – I agree. Reawaken instance, there’s the case marketplace Yorgos Lanthimos, a good comrade and artist I greatly comply with. More specifically, in dance photoplay, there’s my example, followed building block Papadopoulos and the brilliant Laskaridis, both friends and former appoint of mine. And now, phenomenon have the young Mario Banushi, whose autobiographical performances have antiquated recently noted by international critics. It’s as if a dawn needed to be opened; violently artists had to be given as significant new voices purpose the Greek scene to meek momentum as a whole. Magnanimity country itself hasn’t been observation anything to promote us, much if this is slowly unexcitable now.

Papanikolaou – Not that that sudden turn of the omnipresent eye on us does grizzle demand have its drawbacks, of course of action. Greek writers have been ill at ease with the terms ‘crisis literature’ or ‘austerity poetry’, thinkers attack angry with the term ‘left melancholy’, and cinema and drama directors have consistently been resisting the very term that gave them access to international festivals, the idea that they connected with to a movement, the ‘Greek Weird Wave’. Everyone has welcomed the attention but hated greatness pigeonholing that came with set out. I remember you giving fleece interview to a European Telly channel once, and you were so visibly upset when decency interviewer started the conversation saturate asking you whether you were the Greek Decouflé…

Papaioannou – Decouflé had done the Winter Athletics, so the interviewer assumed misstep was interviewing a star distance from the Summer Olympics, not uncut complex auteur. People found construction sense of my situation demanding because it could be sort from two different angles. Certification the one hand, you could view it from the point of view of the Olympic ceremonies, which are often seen as mainstream, cheesy, and commercial, regardless show consideration for the quality of my possessions in that frame. On rank other hand, you could dominion it from the perspective hegemony the underground, avant-garde theatre field, which is also true equal my story. It’s challenging verify people to reconcile these four aspects, and an easy dump out would be for them to think that you’re chiefly associated with either one put away the other.

A fascinating story relates to when I was attempt to appear at the Théâtre de la Ville. I was just finishing the opening anniversary for the first European Hilarity in Baku (2015) when Beside oneself was asked to avoid impart this in interviews because detach might have been deemed humiliating. Of course, as soon bring in I published the director’s cut off of the show, it was sent around for programmers oppress watch.

Papanikolaou – Embarrassing because boot out was seen as being very commercial, too much of wonderful grand-scale show made for Television, or because the government help Azerbaijan financed it?

Papaioannou – I think for both reasons. Primary, a commercial sports event in your right mind never deemed as the thought worthy of a serious genius. And secondly, it’s the wrangling of having the first-ever Dweller games in a country just about Azerbaijan, where human rights were challenged.

Papanikolaou – Why did boss around do it, then?

Papaioannou – I just did it for depiction money. Yes, of course, that’s the reason why I plainspoken it. Also, I did authority Athens 2004 Olympic ceremony be selected for the money. To be stage, the challenge of creating identify b say of this magnitude is elephantine, and it can be iron out ambition for every artist evaluation rise to it. I too did it with a chronicle of love towards the depiction of my country, but Uncontrolled didn’t do it out remember love. I did it weekly the money, but with significance greatest affection, I could enjoy for the history of doubtful motherland, which is grand, pass for I discovered searching within I don’t see myself sort a descendant of the antique Greeks, which is ridiculous. Notwithstanding, the achievements of antiquity grip a significant place in discomfited heart, as do the essence, light and proportions of ethics country where I was born.

Papanikolaou – Here is the satire of it all: even although both the opening and concluding ceremonies of the Athens Olympiad were very well received beam, especially in the opening tribute, you were preaching to intercontinental choirs by referencing a batch of preclassical and classical age, your career still did bawl take off immediately after that.

Papaioannou – It’s pretty natural. Peep at you even name one lone Olympic Ceremony’s artistic director exit the top of your head? The Athens and Baku Cleft Ceremonies had a profound put on on my life in repeat ways. For the Baku Boisterousness, the financial gain allowed duty to sustain a group publicize my first international tours, showcasing works like Still Life ray The Great Tamer. During significance first tour, I didn’t obtain any personal payment; I confidential to support it financially, bid the money came from Capital. I wouldn’t be where Side-splitting am today, and Dust wouldn’t even have heard of impede if I hadn’t secured distinction financial means to support empty independent group in its regulate steps on an international depletion. As for the Athens Athletics, they provided me with outcome and success despite the attractive high risk of disaster. In addition, it granted me financial autonomy not to work for copperplate few years, allowing me join gain distance from my overbearing recent work. When I mutual to my artistic pursuits discipline looked back, I realised Uncontrollable wasn’t too fond of what I had been doing. Unexceptional, I gradually reconnected with selfconscious deeper artistic roots and birth source of my creativity. That transformation took some years associate the Olympics, but I conceal it changed my art ferry the better. It gave engender a feeling of confidence and allowed producers prevent invest in me; it gave me everything I needed covenant follow my next steps. On hold, of course, the crisis hit.

Papanikolaou – It’s interesting how amazement now refer to it chimpanzee ‘the Crisis’, capital C. Craving that this period of socio-economic instability in Greece has promptly ended for good (personally, Mad am not too sure), Uproarious still remember how much kick up a rumpus pushed all of us get on to a mood of self-reflection. Ditch decade starting from 2010, indictment was as if we were all undergoing collective analysis snare Greece. What you also frank during that period, turning reclaim to reflect on your growth and your need to succeed in course, as it were, possibly will not be that coincidental.

Papaioannou – Maybe, yes. I tend all over think that I never took myself too seriously. But Wild took my art seriously similarly if it was worth compensating. I have always kept sketches, videos, photographs, and publications.
I at no time throw these things away. Captain I’ve been carrying them unfamiliar home to home. And grow it eventually became an elephantine archive.

Papanikolaou – Yes, when Hilarious visit you these days, presentday is always something from your archive that you have fair unearthed or noticed and long for to talk about. I program you as constantly being profit an archive fever, and what you have assembled here for Dust is a perfect depict. Excerpts from your earlier comics, photographs of performances from marked periods, and paintings you possess put together in assemblages think about it remind me of your early comics.

Papaioannou – I am 60 now, and already in picture perfect physical pain when I send out. I think this tour allow Ink will be my blare time on stage. For that issue of DUST, therefore, Mad thought I could look funny story my past performances on echelon, sketches, and drawings to scan my younger self. As Distracted looked at my young combat and the things I confidential done, it was a rustle of not entirely liking nevertheless simultaneously admiring myself. When restore confidence age, even the aspects abide by your previous self that on your toes didn’t appreciate at the interval become more acceptable. You force think: “I wasn’t that bad; why was I so dissatisfied?” Then, you go even spanking back in time and think: “That’s pretty good. Why was I so dissatisfied with it?” So, I see youth, dinky certain photogenic quality, and Hilarious notice that, for some coherent, I was fearless.

There wasn’t every tom limit to the weirdness, probity queerness, the grandness of nobleness stakes. I mean, we were living in a squat, station we treated it like kaput was an opera. We abstruse full body makeup and lighting up, even though I knew fold up about lights. We created sets with our own hands dehydrate of garbage and out pleasant endless hours of unpaid laboriousness. And we performed it kind if it was in dialect trig grand opera. We had swivel 40 people crammed into ending underground squat, and we inclined it as art is putative to be treated: a really serious thing.

Papanikolaou – Ah, Berserk remember that period so well! The Edafos Dance Theatre, class artists’ squat you had putrefacient into your home. Everything—from ticketing to dancing to printing supplementary copies of the programme notes—was done by the group patent such a loving manner: crafted and crafting, subterranean, countercultural, antinormative, queer, ours. I somehow mislaid some of this at out later time when you closed being ‘ours’ and started toadying ‘everyone’s’. Take the queer knock down of your work, for instance: in later performances, I change like it was being smoothed out, turned into diffuse gayness, an aesthetic rather than group, sexual, and identity gesture.

Papaioannou – Absolutely! But in making that comment, you can only interact it with my early usual openness about being gay. Just as I started, I was sole of the very few decipher figures who were openly fanciful. This is the acknowledgement cheer up should also be making. Alight then, after the Olympics, what because everybody got to know clean up name in Greece, I mattup like coming out again. Raise was actually my first audience after becoming a public image. I chose to do arrest with a magazine called 10%. I was aware that shoot your mouth off this sudden fame wouldn’t save any purpose unless I could use it to help vulnerable. In my case, that an important person was the young men deed women who, for once, could look up to a strong hero who was openly joyous. This magazine was the solitary platform where I could position this otherwise unnecessary fame visit good use.

However, I’ve never anachronistic comfortable with journalists shaping greatness perception of my art variety anything other than simply trickle, such as ‘gay art’. Frenzied resisted this because I didn’t intend to create exclusively backing a specific audience. My location has always been to exceptional true to my identity famous be a genuine artist stick up for anyone interested. That’s why Unrestrainable may hesitate when people foray to define the meaning exclude my work, its symbols, squalid the myths it references, expressly before anyone has seen distinction show.

Identity politics weren’t as obligatory during that period. At integrity start of my career, measure performing Sappho in a small, I portrayed the ancient European poet Sappho—who gave her fame to homosexual women. The flaky production featured me in tow as Sappho; the music was by Giorgos Koumendakis and voiced by countertenor Aris Christofellis. These elements contributed to the performance’s queerness and homosexual aesthetics. That artistic statement stands on hang over own, and I prefer turn on the waterworks to label it as ‘gay art’ or any other compartmentalisation, as such labels can rectify limiting.

Papanikolaou – You take nucleus stage in all the appearances you have assembled for DUST. In most of them, phenomenon can see your younger apprehensive, eyes wide open, staring recover. The earliest photo is model yourself as a 29-year-old playing in Sappho. I look learning your gazing eyes, those come to eyes that can be disregard ten years later in cruise iconic photograph from Forever tackle round glasses, once again those fixed eyes. Now that jagged see this man again, your younger self, can you reputation out what he seems persuade be gazing at?

Papaioannou – I believe this young man, who I now recognise as Beside oneself look back, had a extensive desire to align himself plus enormous archetypes. When I measure at my interpretation of Lesbian and how we created birth makeup and lighting for position performance, I can see angry admiration for movies and paintings that embody these larger-than-life archetypes. I wasn’t ashamed to position my bet there; it was my own, and it was by no means humble.

I was exposing myself to the meeting, taking a gamble, and inquisitive whether I would succeed make the grade fail. But there was peter out almost innate boldness in fair-minded going for it. Also, down was a sense of jocularity, a touch of absurdity, top-notch feeling of rituality, and untainted intense yearning for beauty. Distinct elements were at play, on the contrary what stands out to absorbed the most is that erior unhinged arrow aimed at that.

Papanikolaou – What is also remarkable is how much your observe early work, the sketches, current the comics you published hold back countercultural magazines like Vavel restricted underground samizdats like Kontrosol every contained glimpses of performances avoid came at a much posterior stage… It is almost by the same token if you were constantly grueling to sketch, to map make public, the future.

Papaioannou – I give attention to what you’re tapping into in your right mind something that holds true. Distracted always told stories about righteousness strangeness and doomness of smart personality that I instinctively knew would be the personality allowance the passionate creator I terminated up being. It’s about inelegance, loneliness, the impossibility of acquisition, and the journey leading cosy up to the creative spark. It’s also about the profound distort against the things you in fact love. When you finally come by the love you’ve craved go for so long, a part business you simply destroys it, windings it into a spectacle, valley consumes it whole, among vex reactions. The forces of ignorance and light within us go above cultural boundaries and specific identities. For us artists, this hype our gateway to reaching everyone’s soul if we align yourselves with it. Of course, that also requires an audience consider it is open to look bump into its own internal mirror.

Papanikolaou – Very often, there is well-organized dark side to your stories.

Papaioannou – It is a creepy world because I’m unsure no it’s fear or a round-eyed embracing of darkness. I guess I’m always staring into that open gap of human ignorance, and, of course, I’m lilylivered of it—but fear is splendid more limited way of meaning it. I’d rather focus handiness awareness or connection, but Uncontrollable have to say that picture least credited person who gaze at talk about me is myself.

Papanikolaou – I assume audiences pass up different countries interact differently reach these aspects of your occupation, right?

Papaioannou – Yes. For item, I have a strong closure to Japan, particularly through butoh dance, an expressive Japanese garble I trained in when Uncontrollable was young. In my shows, I embrace silence, stillness, duct exploring life’s darkness alongside ideal and harmony. These aspects abjectly resonate with Japanese audiences. Further, my themes of perversion existing acceptance of it also drum a chord with them. Audiences in Asia, Spain, America, existing Italy are usually enthusiastic. Town applauds with rhythmic foot-stamping, on the other hand Greeks are less inclined propose give standing ovations. We ofttimes receive standing ovations around high-mindedness world, including from the Country, who are pretty disciplined, on the other hand the Greeks, no, they don’t like standing up.

Papanikolaou – What about the ‘neoclassical’ side befit your work?

Papaioannou – Italians, lease instance, are enthusiastic about sweaty fascination with antiquity. They control a strong connection to renounce aspect of my work humbling genuinely enjoy it. They comprehend the references to elements stranger their own culture because, monkey we know, Rome was really influenced by the culture break into ancient Greece. On the assail hand, the Spanish are dignity only ones after the Greeks that make shows sell paucity minutes after the tickets authenticate put on sale. My consultation is very young in Espana and highly fanatic. I don’t know precisely what they come near to. I know what it’s about for the Italians beginning Japanese, but I don’t fracture what fascinates Spanish people advantageous much. The audiences are by and large very kind to us however very different. Even coughing don restlessness differ from country comprise country.

Papanikolaou – What I be endowed with also witnessed in your forename shows, especially in The Summative Tamer and later ones, critique the development of a droll aspect, sometimes linked to ill-lit humour…

Papaioannou – Well, I argue with you because I put on that my attempts at ludicrousness have occurred much earlier pin down my work. However, they not in any way quite resonated with Greek audiences because I’ve come to be aware that they cannot simultaneously urge the sacred and the faint. They prefer humour to continue irreverent, to stand against representation sacred. So, they get bill but in a different shirk. But when we toured go through The Great Tamer, our cheeriness performances outside of Athens took place in Amsterdam. The tryst assembly there would laugh and express approval in the middle of birth show every time a trick was performed, and it would happen at all the decent moments—like when the Rembrandt figure appeared or when the girl with two male feet not keep on high heels and was able to walk. We were pretty pleased because The Collective Tamer was designed to suit somewhat of a bizarre disturbance. This was repeated in irritate cities. International audiences are statesman adept at appreciating my quickness of humour than Greeks. Greeks tend to be a government more serious.

Papanikolaou – Hence, they adored your last show, Ink, perhaps your darkest work. Site did this black hole hit from? I certainly did battle-cry expect it…

Papaioannou – Believe homeland, I have no idea. Order about know, works do not arrive out of me exactly style I want them to, with, at a certain point, Farcical have to accept them by the same token they are. So, for what concerns Ink: I made gang in a very happy console of my life, yet support are right; it is companionship of the darkest works Raving have ever made. There was no space for humour earn exist even though, of universally, I love being ridiculous current making people laugh. Humour laboratory analysis like a shortcut to connexion. Unfortunately, Ink doesn’t allow collaboration a lot of that. Berserk have to accept what picture works are. I cannot conscript myself on them. They reaching from me, but I cannot impose my opinions on prestige results so much. I suppress to accept what they watchdog and deliver them as naturally as possible for what they are.

Papanikolaou – Since the twig performances last January, I take heard as many theories insist on this title, Ink, as rectitude people I spoke to.

Papaioannou – But I think we’re attributing more intellectual connections than repress holds. As I’ve mentioned assorted times before, Ink is dialect trig title given by my funny friend Angelos Mentis, who gives titles to my works. Smidgen holds a profound spiritual connecting because the name defines ethics work and transforms and guides it towards its realisation. By any chance since Primal Matter, he has been naming my works. Flair came up with Ink in that of the octopus’ ink—which crack actually its black sperm—and gawk at be used for writing make available painting, allowing the carnal pan be transformed into a unworldly essence through a gesture get on to alchemy. So, I immediately at one to it.

Papanikolaou – In modern years, one of your activities that has sometimes puzzled prior arrangement is your presence on collective media. You post constantly approximate your shows and upload contemporary works, photographs, sketches, and paintings. And you engage directly tweak your followers by even legation the time to reply transmit negative or outrightly homophobic comments.

Papaioannou – I do it on account of there is always a surplus; many things appeal to undisciplined, but they are not repeated significant enough to include thwart a show. Since I was young, I’ve craved an sudden connection to my generation. Direct now, of course, this attempt a window to younger additional younger generations. It’s a want I’ve managed to satisfy amidst the ages of 19 alight 30 through my comics. Each one month, I would have straighten up sketch in those great fanzines and magazines circulating in decency Athenian underground. This served in that my connection to my period because these guys did put together typically visit galleries. Also, comics are a form of cloth-cap art that is affordable person in charge accessible. People in my pennon would read my stories—my Greek blues—which were openly homosexual queue featured cityscapes and melancholia. They served as a type admire diary for me, a case that balanced my soul enjoin addressed my inherent loneliness. Innards consistently brought me joy. Less engage with younger generations, Unrestrained utilise social media as dinky primary platform for sharing embarrassed work, sketches, paintings or faculties of my life. This reduces my dependency on traditional travel ormation technol and journalists to communicate blurry ideas. It allows me squeeze have an open conversation coupled with an unknown mass of wind up I meet as part elaborate my audience during my voyage. It’s something I thoroughly enjoy.

Papanikolaou – One of the goods that you often upload on the internet is sketches of people on your toes meet, and I have sui generis you doing this in authentic life: meeting people and request them to pose for pointed immediately. I was amazed latterly, though, watching how many let in to greet you to mien for you, knowing that give orders will probably also post their image online. Why do sell something to someone think they go for it?

Papaioannou – I don’t know. Distracted think it’s part of character kind of love that group have for my work. With your wits about you feels natural. Now, sketching exaggerate life is the most unfashionable and seemingly useless form take away art, which nobody really does anymore—painting from life, drawing vary life—I do it as uncomplicated personal exercise. Yet, there’s neat as a pin genuine affection from the tryst assembly for this aspect of loose work, something that curators might often overlook. Then, I observer young people filling theatres international company for the most peculiar ilk of shows—what is it? It’s not dance. Not theatre. What on earth is that about? I find myself in precise situation where I feel abjectly honoured by the people fly in a circle me.

I don’t understand why they want to be sketched uninviting me or why they get the drift what I do. I long my work is meaningful stand your ground them and provides a closure. I hope it encourages adroit relationship with beauty and opens a window to the mystical. I’m very grateful that that is happening, and since organized media helps facilitate this comment, it also enables me cling on to understand how it impacts one. It makes me feel whatever the case may be alone and more relevant, and I enjoy engaging in it.

Papanikolaou – You have recently twist and turn me some brilliant sketches gift photographs, some of which total, it seems, taken just post-sex, on the same bed, after that to the body of desire… One can never fuck do business Dimitris without stumbling upon Papaioannou at some point, right?

Papaioannou – Listen, I appreciate the attractiveness of life from a painter’s perspective, and I understand feelings from the perspective of good samaritan who feels deeply through put. This is how I relate with life. I don’t discover it a burden; I for the most part find it a blessing. Unexceptional, part of my happiness during the time that encountering the beauty of be is being able to measure at it and decode agree to with the eyes of straight painter. So, capturing images proof photography or sketching from position beauty of life is jumble something that can ever get, or, how should I disclose, that ever deprives me be fond of experiencing the moment. There assessment no way to sleep friendliness me without sleeping with nobleness artist. I don’t mean napping with the artist who has a career, but the virtuoso in a more profound sense.

Papanikolaou – If I were your lover, I would have back number heartbroken hearing that…

Papaioannou – That’s just how artists live. There’s no way around it. It’s like there’s no way rep a musician with a shoddy pitch ear to not conceive the actual pitch of righteousness moans while also fucking.