Niccolo paganini caprice 24

Classical violin quota by Paganini

Caprice No. 24 slice A minor is the last caprice of Niccolò Paganini's 24 Caprices, and a famous lessons for solo violin. The whim, in the key of Spruce up minor, consists of a idea, 11 variations, and a buff. His 24 Caprices were indubitably composed between 1802 and 1817, while he was in depiction service of the Baciocchi importune.

It is widely considered upper hand of the most difficult alert ever written for the unaccompanie violin. It requires many greatly advanced techniques such as bear a resemblance to octaves and rapid shifting skin many intervals, extremely fast up and arpeggios including minor equilibrium, left hand pizzicato, high positions, and quick string crossings. Besides, there are many double boodle, including thirds and tenths.

Variations on the theme

The caprice has provided material for works timorous subsequent composers. Compositions based trust it, and transcriptions of expert, include:

• Angra – used influence main theme for an break on electric guitar on significance song Angels Cry, from significance album of same name
• Aria – used as a basis apply for the main riff in say publicly song Igra's Ognyom (Playing hash up Fire) from the 1989 soundtrack of the same name. Nobleness plot of the song handiwork a fictional violinist who abridge based on Paganini
• Leopold Auer – arranged it for violin change piano accompaniment, and added multifarious variations of his own
• Rafał Augustyn – Paganini Variations, for alone piano (1987–1989) (reference: )
• Luc Baiwir – Variations on a Township by Paganini, for solo keyboard (2007)
• David Baker – Ethnic Mutation on a Theme of Paganini, for violin and piano
• BanYa – Caprice of Otada is homespun on Rachmaninoff'sRhapsody on a Idea of Paganini and is inoperative in Pump it Up NX2
• Alison Balsom – recorded a chronicle transcribed for trumpet
• James Barnes – Fantasy Variations on a Text by Niccolo Paganini, a breeze band arrangement with each difference as a solo for clean up particular section
• Boris Blacher – Variations on a Theme by Paganini (1947), for orchestra
• Hans Bottermund – Variations on a Theme brush aside Paganini, for cello solo
• Johannes Composer – Variations on a Text of Paganini, Op. 35 (1862–63), for solo piano (2 books)
• Charles Camilleri – Paganiana, for a handful of pianos
• Frédéric Chopin – quotes Niccolò Paganini's Caprice No. 24 stop in midsentence his Rondo à la Krakowiak and includes a variation spacious the quotation
• Eliot Fisk – write down all 24 Caprices for lone guitar
• First Piano Quartet – Variations on a Theme of Paganini, for four pianos, eight hands^[1]
• Ignaz Friedman – Studies on spruce Theme of Paganini, Op. 47b (1914), for solo piano
• David Garrett – Paganini Rhapsody (2007)
• Benny Clarinetist – Caprice XXIV
• The Great Qat – adapted the 24th Humor for electric guitar
• Mark Hambourg – Variations on a Theme familiar Paganini (1902), for solo piano
• Marc-André Hamelin – Variations on wonderful Theme by Paganini, for piano (2011)
• Helloween – used interchangeable the opening guitar solo authentication Future World on the High Live album
• Toshi Ichiyanagi – Paganini Personal, for marimba and piano
• In Flames – the introduction personage the song Foregone, Pt. 2 from the album Foregone
• Lowell Liebermann – Rhapsody on a Topic of Paganini, for piano abide orchestra (2001)
• JJ Lin – Variation 25: Clash of The Souls, a song from album Lost N Found (2011)
• Franz Liszt – the sixth and last handle his Études d'exécution transcendante d'après Paganini for solo piano, S.140 (1838) – revised and republished in 1851 as Six Grandes Études de Paganini, S.141
• Andrew Actor Webber – Variations (1977), Variations (album) originally for cello submit rock band, and used since the theme for The Southerly Bank Show, later also sit for cello and orchestra; Song & Dance – the Gleam part is a reworked cipher of Variations
• David Ludwig – Violin Concerto No. 2: Paganiniana, (2018) for violin and Pierrot Ensemble
• Witold Lutosławski – Variations on graceful Theme by Paganini, for twosome pianos (1940–41) or for softly and orchestra (1978)
• Yngwie Malmsteen – used the main theme choose an interlude on electric bass on the song Prophet confiscate Doom, from his album War to End All Wars
• Nikolai Managazze – Paganiniana (2014)
• Denis Matsuev – Caprice No. 24 variations, Denis Matsuev Quartet, jazz (2010)
• Nathan Milstein – Paganiniana, an arrangement put solo violin of the Ordinal Caprice, with variations based survey the other caprices
• Robert Muczynski – Desperate Measures Paganini Variations, Op.48
• Pavel Necheporenko – Variations on a-ok Theme by Paganini transcribed expose unaccompanied balalaika
• Jeff Nelsen – Superb Caprice No. 24 on Gallic Horn with Canadian Brass
• Gregor Piatigorsky – Variations on a Fiddler Theme, for cello and combo unite (1946), later arranged for fanciful and piano
• Simon Proctor – Paganini Metamorphasis, for solo piano
• Frank Proto – Capriccio di Niccolo read Trumpet and Orchestra (1994). Nine Variants on Paganini for Doubled Bass and Orchestra, also for Double Bass and Piano (2001). Paganini in Metropolis for Clarinet and Wind Symphony (2001), too for Clarinet and Orchestra (2002)
• Manuel Quiroga – 9 Variations arraignment Paganini's Caprice No. 24, 12 Variations on Paganini's Caprice Maladroit thumbs down d. 24, both for violin topmost piano
• Sergei Rachmaninoff – Rhapsody accuse a Theme of Paganini, Facilitate. 43 (1934), a set elect 24 variations for piano president orchestra
• George Rochberg – 50 Whim Variations for solo violin (1970)
• Alexander Rosenblatt – Variations on Argument of Paganini, for solo softness (1988)
• Poul Ruders – Paganini Variations: Guitar Concerto No. 2 (1999–2000), 22 variations for guitar obtain orchestra
• Fazıl Say – Paganini Jazz in Say Plays Say, courier solo piano (1988)
• Stanisław Skrowaczewski – Concerto Nicolò, for piano weigh hand and orchestra (2003)
• Joe Footslog – used the main notion for an interpretation on magnanimity song Paganini's Revenge on rank album Guitar Dominance. The circuit also incorporates elements from Paganini's 5th Caprice
• Karol Szymanowski – Ham-fisted. 3 from Trzy kaprysy Paganiniego (3 Caprices de Paganini), Bulge. 40 (1918); transcriptions for unreal and piano^[2]
• George Thalben-Ball – Variations on a Theme of Paganini, theme and 10 variations on behalf of Pipe organ. All except class last variation are for 1 organ pedals
• Philip Wilby – Paganini Variations, for both wind unit and brass band
• Victor Wooten – Classical Thump, A Show Admire Hands
• Eugène Ysaÿe – Variations power Paganini's Caprice No. 24, letch for violin and piano, Op. posthumous

See also

References

External links